Author: Richelle Mead
Pages: 352
Published date: 20/12/2013 Penguin Books Australia
Source: Publisher (via Netgalley)
Synopsis (from Publisher):
ONLY A TRUE BEST FRIEND CAN PROTECT YOU FROM YOUR IMMORTAL
ENEMIES . . .
Lissa Dragomir is a Moroi princes – a mortal
vampire with a rare gift for harnessing the earth's magic. She must be
protected at all times from Strigoi: the fiercest vampires – the ones
who never die. The powerful blend of human and vampire blood that flows through
Rose Hathaway, Lissa's best friend, makes her a Dhampir. Rose is dedicated to a
dangerous life of protecting Lissa from the Strigoi, who are hell-bent on
making Lissa one of them.
After two years of freedom, Rose and Lissa are caught and
dragged back to St. Vladimir's Academy, a school for vampire royalty and their
guardians-to-be, hidden deep in the forests of Montana. But inside the iron
gates, life is even more fraught with danger . . . and the Strigoi are always
close by.
Rose and Lissa must navigate their dangerous world, confront
the temptations of forbidden love, and never once let their guard down, lest
the evil undead make Lissa one of them forever . . .
Review:
Vampires are everywhere. Twilight.
Bluebloods. The Mortal Instruments. The Morganville Vampires. The Vampire Diaries. House of Night. The list goes on and on.
And that’s just a sample of Young Adult novels; many other categories feature
vampires in some way. It’s difficult not to groan or feel fatigued by even the
mention of the word vampire. Perhaps that’s why I didn't pick up Vampire Academy by Richelle Mead for such a long time. Or maybe the cover turned me off—there was little mystery. And vampires are all about mystery: the idea that these dangerous,
mythical creatures can live right under our noses without our knowledge.
This secretive and seductive mythology continues to lure young adult readers in by the
thousands.
For years I’ve avoided books that mentioned the word
vampire in the blurb. I’d read my fair share and I was over the trend. I
felt there was nothing new to add to the myth. Then, last year, I attended
Penguin Teen Australia’s Live event in Melbourne and there were two words I
couldn’t avoid or ignore: Vampire
Academy. Apparently, the correct response to these words, or to any of the characters’
names in the six-book series and spin off series Bloodlines, was to scream and squeal. I was intrigued. What was
this series that had so many people in a frenzy? Then I heard they were making
the first book into a movie and I always try to read the book before the movie comes out. But I was still
sceptical. What made Vampire Academy different?
I am happy to admit I was pleasantly surprised. What Richelle
Mead does with the vampire myth is clever, and different. She demystifies
them. Mead doesn’t bring an outsider into the dark, broody and bloody world of
vampires, but rather grounds the story world in normalcy. It's all about school,
homework, boys and cliques. Whilst there’s a lot of talk about good vampires, bad
vampires, the royal hierarchy and Mead's general vampire lore, this is not the true heart
of the story. Rather, Vampire Academy
is about friendship, responsibilities, growing up and surviving—the often
hellish—days of high school. The fact that the characters feed on each other’s
blood is more of a sub plot.
This is the point of difference from other vampire novels I’ve read. I loved that no characters made a big deal
about drinking each other’s blood or having the ability to manipulate the four
elements of earth, fire, water and air. Similar to Harry Potter, where we're introduced to what should be an unrealistic world of magic, it's the detail, likeable characters and worldbuilding that makes it believable. If the author makes the magic seem normal and common place, then the reader is forced to as well. We then focus on the characters, their relationships and development.
Whilst overall I enjoyed Vampire Academy, I would have appreciated more
descriptions from Mead, to help further ground me in the story, as I was often
lost in dialogue—unable to picture where the characters were. The only other
issue I had was with pacing. Unfortunately, for most of the book, the drama and
action was off-screen, often told in flashbacks, which diluted the dramatic
impact. It wasn’t until the last 40 pages or so that the drama and action was
front and centre, cranking up the tension.
I can now understand the appeal Vampire Academy. Reading it is like hearing a good bit of juicy gossip—it's a real guilty pleasure. Now onto the sequel, Frostbite!
I give Vampire Academy 3.5 out of 5 stars.